They want to receive music similar to…

  • Fine
  • ML Buch
  • Smerz
  • Sega Bodega
  • Kiss Facility
  • Pavement
  • Big Thief
  • Adrianne Lenker
  • Alex G
  • Wednesday
  • Sophia Stel
  • Geese
  • Aldous Harding
  • John Cale
  • The Velvet Underground
  • Wendy Eisenberg
  • Cate Le Bon
  • Kelela
  • underscores
  • Kelsey Lu
  • See all +12

Main opportunities

  • Write articles
  • Create impactful posts or reels about artists

Others

  • Interview artists on radio, video, or podcast
  • Add to story on social media
  • Add to playlist(s)
  • 3

Moods they love

  • Creative
  • Curious
  • Original
  • Surprising

Moods they’re also open to receiving

  • Authentic
  • Catchy
  • Chill

Attributes they love

  • On stage experience
  • International potential
  • Strong social media presence

They don't want to receive...

  • Afrobeat/Afropop
  • Afro House/Amapiano
  • Deutschpop/German Pop
  • Deutschrap/German Hip-Hop
  • Drum and Bass
  • Dubstep
  • Nederhop/Dutch Hip-Hop
  • Schlager/German Song
  • AI-assisted
  • See all +3

AI-generated music

Rejects all AI-generated & AI-assisted music
theneusound

theneusound

Media Outlet/Journalist

  • High sharing rate
  • High answer rate

theneusound is a Vienna-based music publication operating independently of geographic boundaries, hosted primarily on Substack with an active visual presence on Instagram and TikTok (@theneusound). Focused on deep-dive music journalism, it features rigorous research, genuine context, and distinct critical perspectives. Coverage spans artists at all career stages—from debut singles to historical reissues—with a primary aesthetic focus on dream pop, shoegaze, folk, experimental and ambient pop, post-rock, and eclectic genres. The publication's core formats include Track Reviews for in-depth, multi-paragraph song analyses, Starter Packs as curated five-song introductions to unfamiliar catalogs, theneusound listens for themed collections centered around specific sounds or moods, and Essays and Album Pieces for extended writing on formative records and music criticism, though I am always happy to adapt or develop a new format for the right release.

Answer rate 100%
Answers in 1 day
Share rate 43%
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