Generi che lui/lei ama
- Dream pop
- Elettronica
- Elettropop
- Hip-hop
- Indie Dance
- Indie folk
- Indie pop
- R&B
- Soul
- Synthpop
Generi che sono disposti ad accettare
- Musica country
- Danza pop
- Industrial music
- Neo / Classico moderno
- Nu-disco / Italo
- Pop soul
- Vedi tutti +4
Principali opportunità
- Concedere in licenza o rappresentare le tracce degli artisti per la sincronizzazione di immagini/video
Vuole ricevere musica simile a...
Aziya
Art School Girlfriend
Sampha
Cleo Sol
- Vedi tutti +2
Mood che lui/lei ama
- Autentico
- Coinvolgente
- Ballabile
- Scuro
- Downbeat
- Drammatico
- Energetico
- Good vibes
- Unico
- Testi significativi
- Midtempo
- Sognante
- Originale
- Positivo
- Provocatorio
- In piedi
Attributi che adora
- Disponibile su Spotify
- Compositore
- Esperienza sul palco
- Forte presenza sui social media
- Giovane talento
Attributi che sono anche disposti a ricevere
- Artista non sotto contratto
- Progetto imminente
Starting in 2018, Melody Haunts Reverie is an independent sync licensing representation company. Representing current artists across multiple genres in addition to a growing vintage roster, Melody Haunts Reverie's philosophy is simple: We work with music we're passionate about, full stop. Some of our syncs that exemplify both our clientele and the genres of music we are most known for representing include Australian Berliner darkwave/electronic pop artist Zanias's track "Extinction" in 'Mythic Quest' (Apple TV+ / Lionsgate), American gay icon and disco pioneer Patrick Cowley's vintage '70s instrumental "Somebody to Love Tonight" in 'Last Call: When a Serial Killer Stalked Queer New York'(HBO), and Swedish singer-songwriter folk-pop artist Wilma Nea's "Stoked" in 'The Adults' (Universal Pictures). Melody Haunts Reverie is an independent sync licensing representation company. We pitch music from all genres for placement in TV, film, ads, trailers, and promos. Melody Haunts Reverie's philosophy is simple: We work with music we are passionate about, full stop. We proactively pitch our artists to music supervisors with whom we have longstanding relationships while simultaneously and consistently expanding our network to include newfound connections.
