Géneros que él/ella quiere
- Dream pop
- Electrónica
- Electropop
- Hip-hop
- Indie Dance
- Indie folk
- Indie pop
- R&B
- Soul
- Synthpop
Géneros que también están dispuestos a recibir
- Música country
- Pop bailable
- Música industrial
- Neo / Clásico Moderno
- Nu-disco / Italo
- Pop soul
- Ver todos +4
Principales oportunidades
- Licenciar o representar canciones de artistas para sincronización de proyectos audiovisuales
Quieren recibir música similar a...
Aziya
Art School Girlfriend
Sampha
Cleo Sol
- Ver todos +2
Estados de ánimo que le encantan
- Auténtico
- Pegadizo
- Bailable
- Oscuro
- Downbeat
- Dramático
- Enérgico
- Buenas vibraciones
- Único
- Sentido lyrics
- Midtempo
- De ensueño
- Original
- Positivo
- Provocador
- Arriba
Atributos que él/ella ama
- Disponible en Spotify
- Compositor
- Experiencia en el escenario
- Fuerte presencia en las redes sociales
- Jóvenes talentos
Atributos que también están dispuestos a recibir
- Artista sin firmar
- Próximo proyecto
Starting in 2018, Melody Haunts Reverie is an independent sync licensing representation company. Representing current artists across multiple genres in addition to a growing vintage roster, Melody Haunts Reverie's philosophy is simple: We work with music we're passionate about, full stop. Some of our syncs that exemplify both our clientele and the genres of music we are most known for representing include Australian Berliner darkwave/electronic pop artist Zanias's track "Extinction" in 'Mythic Quest' (Apple TV+ / Lionsgate), American gay icon and disco pioneer Patrick Cowley's vintage '70s instrumental "Somebody to Love Tonight" in 'Last Call: When a Serial Killer Stalked Queer New York'(HBO), and Swedish singer-songwriter folk-pop artist Wilma Nea's "Stoked" in 'The Adults' (Universal Pictures). Melody Haunts Reverie is an independent sync licensing representation company. We pitch music from all genres for placement in TV, film, ads, trailers, and promos. Melody Haunts Reverie's philosophy is simple: We work with music we are passionate about, full stop. We proactively pitch our artists to music supervisors with whom we have longstanding relationships while simultaneously and consistently expanding our network to include newfound connections.
