Halo Askew Entertainment

Experto en sonido · Estados Unidos

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Bio

“My life is based on the immersive experience of music. I write the songs, play all the instruments, and I build, from the ground up, the systems that audiences listen to music on,” shares composer, solo artist, and multi-award winning, genre-crossing producer Kris Halo Pierce. Parallel to his career as an Avant-pop artist and a producer, Kris is also an audio tech and engineer for major events in New York City. To date, Kris owns and operates Halo Askew Entertainment (BMI), a multi-platform, boutique entertainment and publishing company based in New Jersey. As a producer, he has earned placements with Interscope Records, Viacom Media Networks, Sony Creative, What’s In-Store Music, Cleopatra Records, and Conzoom Records; among others. As an audio tech and engineer, he’s worked at Electric Lady Studios, Jambetta Studios, and Sound Associates, Inc.; on Broadway (Gettin’ The Band Back Together); on NBC's Emmy and Grammy Award-winning broadcast, Jesus Christ Superstar Live; and on Disney's Winnie The Pooh: A New Musical Stage Adaptation (Rockefeller Productions, Disney Theatrical Productions). In audio tech and engineering contexts, Kris has worked with Whoopi Goldberg, Cyndi Lauper, Jennifer Lopez, Steve Martin, Faith Hill, Paula Cole, Pitbull, Dire Straits Legacy, Snoop Dogg, Marc Anthony, Zef Noise (Peter Murphy), Clutch, Rob DeLuca (Sebastian Bach), and Grammy Award winners, Angel Fernandez (David Byrne) and DJ Freddy Bastone.

https://www.KrisHaloPierce.com · 510 seguidores · 254 seguidores · · · · · ·

Géneros más aceptados

Synthwave

Synthpop

Electrónica

Electropop

Electrónica experimental

Quieren recibir...

Todos los soportes

Disponible en Spotify

Proyecto inicial

Próximo proyecto

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Demos

Sonidos electrónicos

Artista sin firmar

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Quieren recibir música similar a...

New Order

Depeche Mode

Nouvelle Vague

Servicios

I can help you gain insight into how to make your track sound as good as it possibly can with a focus on the technical side, but also with an eye at the songwriting itself. If I really get into your track, I'll do a video review, otherwise it'll be presented as written feedback.