They want to receive music similar to…

  • Sam Tompkins
  • Mackenzy Mackay
  • Cameron Whitcomb
  • EDEN
  • keshi
  • MICO
  • tooloudfortheroom
  • Alec Benjamin
  • KUMMER
  • BoyWithUke
  • Oh Wonder
  • See all +3

Main opportunities

  • Give artists detailed feedback on their sound/production

Moods they love

  • Indie
  • Meaningful lyrics
  • Melancholic

Moods they’re also open to receiving

  • Authentic
  • Catchy
  • Creative
  • Dark
  • Dramatic
  • Engaged
  • Experimental
  • Unique
  • Intense
  • Mainstream
  • Provocative
  • Psychological
  • Simple
  • Captivating
  • See all +8

Musical attributes they love

  • Professional production
  • Vocals

Musical attributes they’re also open to receiving

  • Demos
  • Sync-friendly

Attributes they love

  • Available on Spotify
  • Early project
  • International potential
  • Upcoming project
  • Young talent

Attributes they’re also open to receiving

  • On stage experience
  • Female artist
  • Supported artist
  • Unsigned artist

They don't want to receive...

  • Acid house
  • Beats/Lo-fi
  • Cloud Rap/Hip Hop
  • Death/Thrash
  • Grime
  • Hard Techno
  • Hyperpop
  • Indie India
  • Psychedelic rock
  • Psy-Trance
  • Trance
  • Trap
  • Trip hop
  • See all +7

AI-generated music

Rejects fully AI-generated music
Yannick - Reality Audio Engineering

Yannick - Reality Audio Engineering

Sound Expert

Hamburg
Translated automatically

I'm a professional mixing and mastering engineer and have been working freelance with artists for two years. I received training from renowned industry figures such as Kevin McCloskey, Warren Sokol, and Warren Huart. My work includes collaborating with the duo 49th&Main, who have over one million monthly listeners on Spotify—a testament to the fact that artists with a genuine, growing audience entrust me with their sound. My work typically spans indie, alternative pop, and electronic music, and I'm adept at quickly adapting to diverse sounds and objectives. This experience allows me to accurately assess songs based on their production quality and competitiveness in the current music market. My feedback is concrete and actionable—I focus on the individual goals of each artist rather than generic advice.

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