Genres accepted most often
- Brazilian music
- Jazz fusion
- Modern jazz
- Progressive rock
- Psychedelic rock
Genres they love
- Blues
- Hard rock
Genres they’re also open to receiving
- Bossa nova
- Dream pop
- Funk
- Jazz fusion
- Garage rock
- Pop soul
- See all +4
Main opportunities
- Write articles
- Share artists on my YouTube, SoundCloud, or Twitch channel
They recently gave these artists opportunities
They want to receive music similar to…
Marcos Valle
King Crimson
Rush
Tim Maia
- See all +12
Moods they love
- Catchy
- Danceable
- Downbeat
- Energetic
- Indie
- Melodic
Moods they’re also open to receiving
- Intense
- Lo-fi
- Meaningful lyrics
- Psychological
Attributes they love
- Available on Spotify
- Composer
- Early project
- On stage experience
- Unsigned artist
Attributes they’re also open to receiving
- International potential
- Upcoming project
They don't want to receive...
- Death/Thrash
- Deep house
- Dubstep
- Future house
- House music
- International rap
- See all +4
Som de Peso
Youtube/Twitch Channel, Media Outlet/Journalist
Certified YouTube channel High sharing rate High answer rate
My name is Bruno Ascari and I have a YouTube channel in Brazil called Som De Peso with more than 76,000 subscribers, in which I review albums from different genres, from progressive rock to jazz, heavy metal to bossa nova, from different countries and decades. I also present new bands to everyone in videos about a specific genres and I make a special video promoting bands of my YouTube subscribers. ------------------- Eu sou o Bruno Ascari e tenho um canal no YouTube chamado Som De Peso, com mais de 76000 inscritos, no qual eu faço análises de álbuns de diferentes épocas e estilos, de rock progressivo a jazz, de heavy metal a bossa nova. Eu também apresento bandas em vídeos dedicados à gêneros específicos e recomendo as bandas dos inscritos do canal. Add to my playlists, promote them on our social media profiles and in the channel -- Adicionar às nossas playlists, promovê-las em nossas redes sociais e no canal.
