Genres, die er/sie mag
- Brasilianische Musik
- Klassische Musik
- Filmmusik
- Instrumental
- Neo / Modern Klassisch
- Solo-Klavier
- Traditionelle Musik
Genres, für die sie ebenfalls offen sind
- Americana
- Brasilianischer Sertanejo
- Karibische Musik
- Elektro-Jazz / Nu Jazz
- Experimenteller Jazz
- Jazz-Fusion
- Alle anzeigen +3
Hauptchancen
- Gebe Künstlern detailliertes Feedback zu dem Klang/der Produktion
Du möchtest Musik erhalten, die ähnlich ist wie die von...
Boston Symphony Orchestra
Joshua Bell
Issac Stern
Adam Birnbaum
- Alle anzeigen +14
Attribute, die er/sie liebt
- Bevorstehendes Projekt
- Junge Talente
Attribute, für die sie ebenfalls empfänglich sind
- Komponist
- Frühes Projekt
- Erfahrung auf der Bühne
- Internationales Potenzial
- Männlicher Künstler
- Starke Präsenz in den sozialen Medien
- Alle anzeigen +2
Du willst nicht erhalten...
- Acid-House
- Afrobeat / Afropop
- Afro House / Amapiano
- Bass music
- Chill / Lo-fi Hip-Hop
- Cloud Rap / Hip Hop
- Alle anzeigen +43
Brett is an audio engineer, researcher, and educator, and currently serves as the chief audio engineer for the Chelsea Music Festival in New York. He works on recording projects ranging from classical and jazz to pop-rock, including projects with artist such as Matt Haimovitz, The Brass Band of Battle Creek, Cecile McLorrin Salvant, and Bob Belden under the auspices of his company BLPaudio. Brett’s research focuses on spatial audio and acoustics, including collaborations with Sennheiser, NHK, and Skywalker Sound. He is active in the Audio Engineering Society, and holds the position of Associate Professor and Director of the Music Technology & Recording program at the University of Indianapolis. Dr. Leonard is an alumnus of California Lutheran University and New York University, and holds a PhD in Sound Recording from McGill University. I can provide expert feedback on production, mixing, and mastering, as well as feedback and advice on making your work fit in any variety of release mediums or formats. I also work closely with record labels on promotion, so happy to provide advice there, too! My feedback is probably most useful for tracks finishing production, as my expertise tends to lie in mixing, mastering, and sound quality; you can think of me as a fresh set of ears!
