Žele da primaju muziku sličnu…

  • Aziya
  • Art School Girlfriend
  • Sampha
  • Cleo Sol
  • Jessy Lanza
  • Paris Texas

Glavne mogućnosti

  • Licenciraj ili predstavljaj numere izvođača za sinhronizaciju slika/videa

Raspoloženja koja vole

  • Autentično
  • Privlačno
  • Za ples
  • Tamno
  • Daunbit
  • Dramatično
  • Energično
  • Dobre vibracije
  • Jedinstveno
  • Značajni tekstovi pesama
  • Srednji tempo
  • Sanjarski
  • Original
  • Pozitivno
  • Provokativno
  • Optimistično

Muzičke osobine koje vole

  • Akustična gitara
  • Beatmaker
  • Ritmovi
  • Elektronski zvuci
  • Profesionalna produkcija
  • Pogodno za sinhronizaciju
  • Sintisajzeri

Atributi koje vole

  • Dostupno na Spotifyu
  • Kompozitor
  • Iskustvo na sceni
  • Snažno prisustvo na društvenim mrežama
  • Mladi talenti

Atributi koje su takođe otvoreni za primanje

  • Nepotpisani umetnik
  • Predstojeći projekat
Melody Haunts Reverie

Melody Haunts Reverie

Supervizor sinhronizacije

Starting in 2018, Melody Haunts Reverie is an independent sync licensing representation company. Representing current artists across multiple genres in addition to a growing vintage roster, Melody Haunts Reverie's philosophy is simple: We work with music we're passionate about, full stop. Some of our syncs that exemplify both our clientele and the genres of music we are most known for representing include Australian Berliner darkwave/electronic pop artist Zanias's track "Extinction" in 'Mythic Quest' (Apple TV+ / Lionsgate), American gay icon and disco pioneer Patrick Cowley's vintage '70s instrumental "Somebody to Love Tonight" in 'Last Call: When a Serial Killer Stalked Queer New York'(HBO), and Swedish singer-songwriter folk-pop artist Wilma Nea's "Stoked" in 'The Adults' (Universal Pictures). Melody Haunts Reverie is an independent sync licensing representation company. We pitch music from all genres for placement in TV, film, ads, trailers, and promos. Melody Haunts Reverie's philosophy is simple: We work with music we are passionate about, full stop. We proactively pitch our artists to music supervisors with whom we have longstanding relationships while simultaneously and consistently expanding our network to include newfound connections.

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