Žele primati glazbu sličnu…

  • Aziya
  • Art School Girlfriend
  • Sampha
  • Cleo Sol
  • Jessy Lanza
  • Paris Texas

Glavne prilike

  • Licenciranje ili predstavljanje pjesama izvođača za sinkronizaciju slika/videozapisa

Raspoloženja koja vole

  • Autentično
  • Privlačan
  • Za ples
  • Tamno
  • Pitmičan ritam
  • Dramatično
  • Energičan
  • Dobre vibracije
  • Jedinstveno
  • Značajni tekstovi
  • Srednji tempo
  • Sanjalački
  • Izvornik
  • Pozitivan
  • Provokativan
  • Optimizam

Glazbene osobine koje vole

  • Akustična gitara
  • Beatmaker
  • Ritamovi
  • Elektronički zvukovi
  • Profesionalna produkcija
  • Pogodno za sinkronizaciju
  • Sintizatori

Svojstva koja vole

  • Dostupno na Spotifyju
  • Skladatelj
  • Iskustvo na pozornici
  • Snažna prisutnost na društvenim mrežama
  • Mladi talenti

Atributi koje su također otvoreni za primanje

  • Nepotpisani umjetnik
  • Nadolazeći projekt
Melody Haunts Reverie

Melody Haunts Reverie

Nadzornik sinkronizacije

Starting in 2018, Melody Haunts Reverie is an independent sync licensing representation company. Representing current artists across multiple genres in addition to a growing vintage roster, Melody Haunts Reverie's philosophy is simple: We work with music we're passionate about, full stop. Some of our syncs that exemplify both our clientele and the genres of music we are most known for representing include Australian Berliner darkwave/electronic pop artist Zanias's track "Extinction" in 'Mythic Quest' (Apple TV+ / Lionsgate), American gay icon and disco pioneer Patrick Cowley's vintage '70s instrumental "Somebody to Love Tonight" in 'Last Call: When a Serial Killer Stalked Queer New York'(HBO), and Swedish singer-songwriter folk-pop artist Wilma Nea's "Stoked" in 'The Adults' (Universal Pictures). Melody Haunts Reverie is an independent sync licensing representation company. We pitch music from all genres for placement in TV, film, ads, trailers, and promos. Melody Haunts Reverie's philosophy is simple: We work with music we are passionate about, full stop. We proactively pitch our artists to music supervisors with whom we have longstanding relationships while simultaneously and consistently expanding our network to include newfound connections.

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