Genres
- Ambient
- Americana
- Beats / Lo-fi
- Musique Brésilienne
- Jazz fusion
- Hip-hop
- Indie pop
- Indie rock
- Pop punk
- Shoegaze
Genres qu'ils sont également ouverts à recevoir
- Afrobeat / Afropop
- Commercial / Mainstream
- Country
- Dance music
- Electronique expérimental
- Indie folk
- Afficher tout +4
Principal
- Ecrire des retours détaillés sur la production des morceaux
Il/elle veut recevoir des morceaux d’artistes similaires à…
Mac DeMarco
blink-182
Phoebe Bridgers
Prince
- Afficher tout +14
Elle·il ne veut surtout pas recevoir...
- Musique pour enfants
- Musique IA
LONG FEEDBACK CURATOR - I provide detailed, in-depth feedback (250+ words) I've worked in every aspect of music production. I started recording and assisting with production and mastering at the legendary Blackbird Studio, Curb Studios, and True East Mastering in Nashville. Working and learning under engineers and producers who've recorded every big name in Country, Jazz, Pop, Rock, and everything in between, I got to help everyone from major-label names to indie artists until I started my own mastering studio, Mind's Eye Mastering, once I realized that was my true calling in music. Alongside that, I worked for Sage Audio, managing their online community, where I mentored hundreds of artists, producers, and mixing/mastering engineers of all experiences levels and musical backgrounds from all over the world, giving them constructive feedback and advice on how to improve their work. Alongside mastering, this is what I love to do most. I've gained the understanding that my role as a mastering engineer is not only the final quality control, but also as the last person to realize the artist’s vision before release into the hyper-competitive marketplace. I'd love to help anyone across any genre take their music to the finish line however I can. I can provide specific and detailed feedback on how to improve/develop recordings, mixes, masters, and productions overall. I'm also happy to answer any questions on those topics or on gear, studio/room acoustics, or any other audio engineering topics. I'd be more than happy to go back and forth with you, refining your work and giving you continued feedback on each revision of your mix, until you're completely happy with the results and ready for mastering or release!
